Trump Pardons Late Black Boxing Champion Jack Johnson

by 05/29/2018

 

WASHINGTON (Reuters) – U.S. President Donald Trump on recently issued a posthumous pardon to boxer Jack Johnson, the first African-American heavyweight champion, who was jailed a century ago due to his relationship with a white woman.

“I believe Jack Johnson is a worthy person to receive a pardon, to correct a wrong in our history,” Trump said.

In a case that came to symbolize racial injustice, Johnson was arrested in 1912 with Lucille Cameron, who later became his wife, for violating the Mann Act. The law was passed two years earlier and made it a crime to take a woman across state lines for immoral purposes.

Johnson died in 1946.

Jack Johnson, heavyweight boxer. Portrait of John Arthur “Jack” Johnson (1878-1946), with his wife Etta, by Elmer Chickering c.1910

In signing the pardon, the president cited “tremendous racial tension” during the time Johnson was champion. “He really represented something that was both very beautiful and very terrible at the same time,” Trump said.

Actor Sylvester Stallone, famous as the star of the “Rocky” boxing-movie franchise, and former world heavyweight boxing champion Lennox Lewis flanked Trump for the pardon in the Oval Office. In April, Trump tweeted that he was considering the pardon after talking to Stallone.

With Sylvester Stallone (2nd R) and Lennox Lewis (R) behind him, U.S. President Donald Trump holds up the pardon he signed for the late Jack Johnson, the first black heavyweight boxing champion, at the White House, May 24, 2018. REUTERS/Kevin Lamarque

Earlier on Thursday, Stallone posted a photo of himself at the White House on Instagram with the caption “Waiting for the moment to go into the oval office for the pardon…”

In the Oval Office, Trump said of Stallone: “I love his movies.”

“This has been a long time coming,” Stallone said, adding that Johnson served as the inspiration for the character of Apollo Creed in the Rocky movies.

Reporting by Susan Heavey and James Oliphant; writing by Lisa Lambert; editing by Cynthia Osterman and Tom Brown

 

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